

Shinn loves the idea that God wants to give man whatever man wants and she loves the language of “demand.” We should “demand” this or that, for we are indeed entitled to such. Why? Because “Infinite Intelligence, God, is ever ready to carry out man’s smallest or greatest demands” (p.7). Within this framework, Shinn develops the idea that man needs to tap into the affirming, person-exalting intention of the superconscious mind, the God Mind.

In it, is the ‘perfect pattern’ spoken of by Plato, the Divine Design, for there is a Divine Design for each person” (p.4-5). In that statement you can see the hallmarks of Shinn’s book: the curious use of terminology (i.e., “in divine mind”), the granting of great power to man’s “recognition” or “words,” and the talismanic approach to language (i.e., say the right thing and good things happen, say the wrong thing and bad things happen).Īs I finished this work I thought, “This is a Pentecostalized Platonism.” Only in reviewing the first pages of the book again as I began this review did I remember that Shinn indeed gives Plato credit for the basic framework of her ideas: “There are three departments of the mind, the subconscious, the conscious and superconscious…The superconscious mind is the God Mind within each man, and is the realm of perfect ideas.
Florence shinn the game of life how to#
Near the end of The Game fo Life and How to Play It, Shinn offers what I would suggest is her thesis statement for the entire work:Īll the good that is to be made manifest in man’s life is already an accomplished fact in divine mind, and is released through man’s recognition, or spoken word, so he must be careful to decree that only the Divine Idea be made manifest, for often, he decrees, through his “idle words,” failure or misfortune (p.69). In short, there is much to be very, very uncomfortable about with Shinn’s work. What is alarming to me, however, is that Shinn goes far, far beyond these ideas as general principles and has created instead a metaphysical system that, tragically, is buttressed by a talismanic and almost magical view of language (heck, the second work is literally entitled Your Word is Your Wand!), the calcification of fairly common sense principles into mechanistic “laws,” the collapse of theological terms and constructs into anthropology, a staggeringly eisegetical approach to scripture in which the wider context of verses is ignored and snippets are reduced to maxims shaped to support Shinn’s tenuous assumptions, the reduction of theological reflections to man’s comfort (usually in monetary terms), and a non-orthodox Christology that appears time and again to reduce Jesus and HIs work to a mere schema of self-actualization and possibly even to man’s own innate power to bring about desirable outcomes. In noting these realities, Shinn has a point. I do not even disagree with the general idea that one’s disposition and attitude, which is usually reflected in one’s words and actions, has a kind of attractional pull. The person with the positive attitude, who has a strong sense of faith and optimism, oftentimes seems to overcome obstacles.įurthermore, I do not disagree with the general idea that attitude is important, that verbalization seems in some sense to trend toward actualization, and that the inward disposition tends to manifest itself outwardly. For instance, the person who is obsessed with illness oftentimes seems to get sick. I do not disagree that binding yourself to certain ideas or sentiments oftentimes seems to create self-fulfilled prophecies. I do not disagree with the general principle that what we say and what we think is powerful. I would like to begin by noting what I think is positive about Shinn’s work. My comments in this post are a reflection on the first work, and, apparently, Shinn’s most famous work, The Game of Life and How to Play It. A number of months ago a friend of mine gave me a copy of The Complete Works of Florence Shinn, a monograph containing four of her works: The Game of Life and How to Play It, Your Word is Your Wand, The Secret Door to Success, and The Power of the Spoken Word, all four written from 1925-1945.
